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Sooo ... what do you call the section between the verse and the chorus?

Mike Greene

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I've always called it the "B-section," mostly because that's what my first co-writer (who was way more experienced than I was) would say. I've heard other terms, though, so I sometimes wonder what's most common.

So ... what do you guys call it?
 
I've always called it the "pre-chorus".

For me, a "B-section" is often a part of a verse or chorus. This is typical of pop songs, where a verse or the chorus are effectively divided into two similar 8-bar sections, but the second 8-bars (the "B-section") introduces new elements and/or variations.

But that's just me... :cool:
 
I've always called it the "pre-chorus".

For me, a "B-section" is often a part of a verse or chorus. This is typical of pop songs, where a verse or the chorus are effectively divided into two similar 8-bar sections, but the second 8-bars (the "B-section") introduces new elements and/or variations.

But that's just me... :cool:
Yep me too. That’s the part I normally would call pre-chorus.

I assume that it has a function to connect the verse and the chorus, i.e. by building tension. If not, I probably would call it something like verse 1 part 2.
 
If it occurs before every iteration of the chorus, I'd go with "pre-chorus". But if it happens only once -- especially between the last verse and last chorus -- I'd call it a "bridge".
Agreed. The pre-chorus is what it sounds like: it's a section that leads into the pre-chorus.

The bridge is new material that provides contrast to the existing song. Bridges are generally not repeated (I'm too lazy to look up any counter-examples, so I'm hedging with "generally").

A/B/C sections refer to the form of a verse or chorus, in terms of how it's melodically/harmonically structured.
 
I guess it depends on genre, and maybe also what region. In small group jazz and big bands I’ve played in, with singers or not, a bandleader would call out a section of the form during rehearsals (of if someone was lost on stage😰) according to the lead sheet or legit chart ("A, second A, B, or last A"). Sometimes, they would holler, “bridge” which in a jazz standard means letter B. Also, “vamp” which means to jam over a repeating section, usually a 4 bar sequence, maybe 2 chords (usually at the very end).

In rock, folk and bluegrass, I would hear, 1st verse, 2nd verse, chorus, last verse—very seldom bridge. I’ve never heard the term “pre-chorus” in a band setting but have seen it used in songwriting discussions and in more formal analysis of songs.
 
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Returning to our regularly scheduled topic:
if it happens only once -- especially between the last verse and last chorus -- I'd call it a "bridge".
It turns out that this is not the most common use of the term "bridge." It more accurately refers to a contrasting section in between two choruses, typically at the end of the song (I did get that part right).
 
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And an older term for "bridge" was "middle 8", because in pop songs of the 50s, 60s, and 70s, the bridge was typically an 8-bar section.

And just to get a little more technical, a bridge doesn't necessarily always appear between choruses. In the AABA song structure, there is no chorus. The A sections are verses that typically end with a short hook, and the B section is the contrasting bridge. Early Beatles songs like "And I Love Her", "We Can Work It Out", "A Hard Day's Night", "If I Needed Someone", "All My Loving", "Yesterday", etc. are textbook examples of this.

And to tie this all back to the original topic, the AABA structure doesn't have a pre-chorus because, well... there is no chorus.
 
It turns out that this is not the most common use of the term "bridge." It more accurately refers to a contrasting section in between two choruses, typically and the end of the song (I did get that part right).
That was always my understanding, too. ("Bridge" being a new section usually between the second chorus and the chorus out.)

Then again, I'm still gonna keep saying "B-Section" instead of Pre-Chorus, so what do I know. :grin:
 
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